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Art

 - 142 items found in your search
Art

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1 Andrews, Edward Deming and Faith Andrews. Visions of the Hevenly Sphere: A Study in Shaker Religious Art.
Charlottesville, VA: The University Press of Virginia, 1969. Published for The Henry Francis du Pont Winterthur Museum. First Edition. 
Large, square octavo, blue cloth (hardcover), gilt letters and decoration to upper cover, xv, 138 pp. Fine, in a Very Good+ dust jacket with slight wear along edges. “This account of Shaker inspirational drawings, generously illustrated with twelve color plates and eighteen figures, deals with a significant area of Shaker culture never before studied in detail...All the extant Shaker inspirational drawings that could be located are listed here in an important check list compiled by Susan Terdiman. The listing is in alphabetical order according to the present location. A chronology outlining Shaker history frojm 1706 to 1867 and a biliography listing books and pamphlets giving a comprehensive account of the history and the religious doctrines of the Shakers are also included. Emphasis is placed on studies of their culture during periods of revival.” 
Price: 50.00 USD
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2 Art Gallery of New South Wales. Melanesian Art. Art Gallery of New South Wales, April 20-May 22 1966.
New South Wales, 1966. 
Octavo, paperbound (stiff, illus., stapled wrappers), 24 pp. Very Good, with sunned spine and edges and inked through former-owner signature. 
Price: 10.00 USD
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3 Baigell, Matthew. The Western Art of Frederic Remington.
New York: Ballantine Books, [1979]. 
First Edition. Tall, oblong octavo, softbound, 31 pp, followed by 46 full-color plates. Fine. 
Price: 15.00 USD
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4 Baraka, Amiri (Imanu). Death is a Form of Ignorance.
Charleston, WV: Parchment Gallery Graphics, [1996]. 
Royal octavo, softbound (slick printed wrappers, stapled), [34] pp. Fine (As New). Collection of drawings and poetry. Amiri Baraka has been characterized over the past four decades as beat, then as confession, then as New York School, and ultimately as black militant.... 
Price: 20.00 USD
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5 Baraka, Amiri (Imanu). Death is a Form of Ignorance.
Charleston, WV: Parchment Gallery Graphics, [1996]. 
Royal octavo, softbound (slick printed wrappers, stapled), [34] pp. Fine (As New). Collection of drawings and poetry. Amiri Baraka has been characterized over the past four decades as beat, then as confession, then as New York School, and ultimately as black militant.... 
Price: 20.00 USD
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6 Baraka, Amiri (Imanu). Death is a Form of Ignorance.
Charleston, WV: Parchment Gallery Graphics, [1996]. 
Royal octavo, softbound (slick printed wrappers, stapled), [34] pp. Fine (As New). Collection of drawings and poetry. Amiri Baraka has been characterized over the past four decades as beat, then as confession, then as New York School, and ultimately as black militant.... 
Price: 20.00 USD
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7 Beardsley, John and Livingston, Jane. Hispanic Art in the United States: Thirty Contemporary Painters & Sculptors. With an Essay by Octavio Paz.
New York: Abbeville Press, Inc., [1987]. 
Quarto, black cloth, slick full-color illus. pages, 260 pp. Fine (As New), in a Fine (As New) dust jacket. Two hundred paintings and sculptures by thirty contemporary Hispanic artists living and working in the United States. Contents: Preface and Ackowledgments; Art and Identity: Hispanics in the United States (Octavio Paz); And/Or: Hispanic Art, American Culture (John Beardsley); Recent Hispanic Art: Style and Influence (Jane Livingston); Artists' Biographies; Artists' Bibliographies; General Bibliography; Index. Included artists: Carlos Alfonzo, Carlos Almaraz, Felipe Archuleta, Luis Cruz Azaceta, Rolando Briseno, Lidya Buzio, Ibsen Espada, Rudy Fernandez, Ismael Frigerio, Carmen Lomas Garza, Roberto Gil de Montes, Patricia Gonzalez, Robert Graham, Gronk, Luis Jimenez, Roberto Juarez, Felix A. Lopez, Gilbert Sanchez Lujan, Cesar Augusto Martinez, Gregorio Marzan, Jesus Bautista Moroles, Manuel Neri, Pedro Perez, Martin Ramirez, Arnaldo Roche, Frank Romero, Paul Sierra, Luis Stand, Luis Eligio Tapia, John Valadez. 
Price: 40.00 USD
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8 Beerbohm, Max. Max's Nineties, Drawings 1892 - 1899. With an Introduction by Osbert Lancaster.
Philadelphia: Lippincott, 1958. 
1st American edition. Quarto, cloth & patterned boards, 10 pp., 46 plates. Near-Fine in dust jacket. 
Price: 20.00 USD
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9 Berchtold, Herbert and Rico; Editors. Cows on Parade in Chicago. Text by Mary Ellen Sullivan. Photography by Simon Koenig.
Kreuzlingen, Switzerland: NeptunArt, [1999]. 
Third Edition. Oblong octavo, glossy full-color illus. boards, (hardcover), full-color illustrations, glossy pages, 180 pp. Bookplate; otherwise, Fine (As New). 
Price: 10.00 USD
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10 Binoche. [Blazy, Monsieur Jacques]. Art Precolombien: Collection Monheim (1ere Partie). Vente Le Jeudi 4 Mars 2004 a 14 H 30/Drouot Salle 9.
Paris: Binoche, 2004. 
Octavo, slick black illus. boards (hardcover), [63] pp. Illustrated in full-colour. Near-Fine. 
Price: 10.00 USD
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11 Bossert, H. Th. L'Art Populaire en Europe: Tissus, Tapis, Broderies.
Paris: Albert Morance, n.d. [ca. 1960.] 
Folio, cloth-backed boards, 15 pp., 40 color plates. Near-Fine in a slightly chipped dust jacket. 
Price: 25.00 USD
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12 Braider, Donald. Five Early American Painters: John Singleton Copley, Charles Willson Peale, Gilbert Stuart, John Trumbull, Benjamin West.
New York: Meredith Press, 1969. Stated First Edition. 
Octavo, blue cloth (hardcover), gilt letters, 188 pp. Very Good, with light edgewear, in a Good+ dust jacket with edgewear and rubbing. 
Price: 15.00 USD
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13 Brody, Anne Marie; et al. Contemporary Aboriginal Art from The Robert Holmes a Court Collection.
Perth: Heytesbury Holdings Ltd., 1990. 
Quarto, softbound (stiff, slick, full-color illus. wrappers), 125 pp. Near-Fine. 
Price: 10.00 USD
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14 Brown, Milton W. with the assistance of Judith H. Lanius. One Hundred Masterpieces of American Painting from Public Collections in Washington, D.C.
Washington: Smithsonian Institution Press, 1983. First Edition. 
Folio, softbound, 240 pp. Color plates throughout. Very Good. 
Price: 10.00 USD
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15 Bury, Adrian. Joseph Crawhall: The Man & The Artist. Foreword by Sir Alfred Munnings.
London: Charles Skilton Ltd., mcmlviii [1958]. Number 440 of 975. 
Quarto, buckram, paper label [inlaid color print to upper cover], gilt letters, gilt edge. 65 monochrome & full color plates. Near Fine, with former owner plate. Contents: Foreword by Sir Alfred Munnings; Preface and Acknowledgments; The Crawhalls of That Ilk: The Artist's Forebears; Joseph Crawhall the Artist, Biographical; Joseph Crawhall: A Critical Survey of His Work; The Plates in Colour and Collotype Described; Catalogue of Works by Joseph Crawhall; Index. 
Price: 150.00 USD
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16 Carter, Curtis L; Sims, Lowery Stocks; Ades, Dawn; Fletcher, Valerie J.; Lucie-Smith, Edward; Laurin-Lam, Lou. Wilfredo Lam in North America.
Milwaukee, WI: The Patrick and Beatrice Haggerty Museum of Art, Marquette University,(2008). 
Square quarto, softbound (stiff, color illus. wrappers), 157 pp. Former-owner signature inked through; otherwise, Fine. 
Price: 35.00 USD
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17 Cellini, Benvenuto. The Life of Benvenuto Cellini. Translated from the Italian by John Addington Symonds.
London: The Allantyne Press, 1900. Seen through the press by C. J. Holmes and decorated by C. S. Ricketts. 
Two volumes. Quarto, cloth-backed boards (hardcover), paper labels, uncut. Very Good; spine label of Volume II is chipped and its corners are bumped. 
Price: 80.00 USD
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18 Cervantes Saavedra, Miguel de. Don Quijote de la Mancha. Ilustrado por Dali. Direccion literaria, introduccion, revision texto y notas, Antonio Cunillera Gavalda.
Barcelona: Editorial Mateu, (1965). First Printing of the edition. 
40 fasciles (parts) housed in two original slip cases. Folio, color-illustrated wrappers, 460 pp, [xviii] pp + 465 pp. Fold-out color plates, color plates, black & white illustrations. About Very Good, with the parts in varying condition; some Near-Fine, others Good; in a set of the original slip cases also in Very Good condition. A scarce set. 
Price: 750.00 USD
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19 Chadwick, Whitney. Women Artists and the Surrealist Movement.
Boston: New York Graphic Society/Little Brown and Company, (1985). First American Edition. 
Inscribed and Signed by the Author. Quarto, blue cloth (hardcover), 256 pp. Color plates, b&w plates, photos. Fine in a nice dust jacket excepting a one-inch tear at foot of spine. 
Price: 25.00 USD
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20 Chusid, Irwin. [Flora, Jim]. The Mischievous Art of Jim Flora. Design by Laura Lindgren. Image restoration by Barbara Economon.
Seattle, Washington: Fantagraphics Books, (2004). 
Large, square octavo; softbound (stiff, slick, full-color illus. wrappers with flaps), 178 pp. Illustrated in full color. Very Good, with former-owner signature neatly blacked out. From cover flap: James (Jim) Flora concocted dozens of diabolic and hallucinatory album cover illustrations, many for Columbia and RCA Victor jazz artists, in the 1940s and ‘50s. His designs pulsed with angular hepcats bearing funnel-tapered noses and shark fin chins, who fingered cockeyed pianos and honked lollipop-hued horns amid hyperactive peripheries splashed with droplets seemingly shot from a confetti cannon. Geometric doodads float willy-nilly like a kindergarten toy room gon antigraviational. Yet Flora's wonderous, childlike exuberance was subverted by a sinister twinge of the grotesque. He wreaked havoc with the laws of physics, conjuring up flying musicians, levitating instruments, and wobbly dimensional perspectives. He also took great liberties with human anatomy, evoking bonded bodies, mutant appendages, ghoulish skin tints, and misshapen heads. He was not averse to pigmenting Benny Goodman and Gene Krupa like bedspread patterns. This is the first comprehensive collection of album art by Jim Flora (1914-1998), featuring more than 225 images. This book contains most of his known covers, rarely seen illustrations from Columbia's Coda trade journal, and some of Flora's commercial work for magazines of the period. The Mischievous Art of Jim Flora also presents the first-ever reprinting of Flora's fabled Little Man Press illustrations (1939-1942). 
Price: 25.00 USD
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